I don’t like obituaries. They tend to be mere pro forma exercises, a kind of duty one feels bound to perform. They rarely sound sincere. Maybe one cannot put into words true emotion when it is simmering inside one’s heart like smoldering embers. Or, sometimes, they’re the cold and cruel reminders that our objects of desire, our fantasies, are real persons, living in the real world like the rest of us. Sometimes insufferable, sometimes suffering.
I fell in love
with her long before I saw her in Cheers. Her beauty had caught my
attention when she was playing Virgilia Hazard in North and South
(1985-1986), and then in 1984’s RUNAWAY
, which I caught later on satellite TV, on a wonderful summer night, somewhere
in 1986 or 1987. After that, after Cheers got to an end and she starred
in LOOK WHO’S TALKING (1989) and it’s
sequels, I lost track of her. Babies are not my thing, alas, even if they’re
talking babies. In a somewhat misguided way it was for the better: my infatuation
with Kirstie Alley endured throughout the Eighties, and dissipated with the
arrival of the Nineties.
From the glorious Eighties
comes a minor masterpiece by Niko Mastorakis, the film where Kirstie looks more
luminous than ever: BLIND DATE
(1984). It is impossible for any red-blooded male to watch that movie and not
fall in love with Kirstie Alley, so young, joyous and full of life. By not
following her career after the end of Cheers, I’ll forever remember her as
she was then, an indelible memory of fun and joy that I ritually rekindle now
and then with a dip into my DVD collection.
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