If one is to believe it, death is the first step into transcendence. Well, the French said it better, when they called sexual orgasm la petite mort (the little death). And I can't remember a more convincing and ecstatic orgasm then the one this beautiful lady conveys in an unforgettable scene from Joe Sarno's VIBRATIONS (1968), after being inflamed from the animal love-making sounds that filtered from next door through the wall of her bedroom.
If she surely died a little that day, she will live forever in our memory, as an affirmation of unrestrained beauty and joy, through the radiant whites that Sarno used to paint the complicit shadows.
